35mm Photos by @shawkat husseini & @rcstills

The second release in from producer Oh My My - 'Woe, My Heart' continues the visuals from the previous release we did with him. This time the subjects taking on a more delicate and sombre role to the previous clip. All filmed within the confines of a white cyc, harmonious and soft neons mixed the glitched out effect relay the complex narrative and undertones of the songs foundation.

Oh My My aka Sam Thomlinson had this to say on the song - "Musically this song is all about the piano and vocal. I tried not to sully those parts with too much embellishment. There are moments where I’m really trying to show the heartbreak in the lyrics with disjointed chord changes; other times I’ve tried to use ambient whispering and talking to reflect the feeling of being locked in your own thoughts.”

Similar to the previous piece in the series, at its core this was a collaborative effort. Working with dancers Alex & Anna, we in essence, melded within the choreography of their movements. The added element of singer Jarred Young(of Bad Pony) glitching in and out of the scenes adding another dimension to the piece as a "somewhat" continuation and evolution.

Watch below for the full video. Also check out the artists facebook page to keep up to date on all things Oh My My.

Polaroid outtake of Nigel Edwards from the studio.

For our latest release we had full creative licence to roll with whatever came to our head(which is always welcomed). Given the stylistic nature of the track we wanted to do something a little different. We decided to collaborate with another artist - Nigel Edwards of dance collective Lost is Found. Based off of Nigel's interpretation of the music we would shoot and edit alongside what he created as sort of an amalgamation of ideas forming one piece.

Richard playing with red mesh material to create different looks.

Working with a minimal crew and plenty of time to play with compositions is always a welcome change. Director Richard Clifford had this to say about producing the piece "When I first heard the track, the visuals were instant. I remember seeing Nigel perform at a show I was shooting and knew that his unique tutting style of dance would be a perfect match. I got in contact with Nigel and played him the track, basically begging him to get on board. I asked if he could interpret the music and create movements based on that. Then I’d film based around those movements. The results are a very immersive. Editor Tim Blackburn did an amazing job taking those two elements and creating the electrifying end results.

Only two lights were used in production.

Jamie Page aka Set Circles had this to say about the video “The music video is almost a whole seperate piece of art that I’m just stoked to have my music behind really. I sent him(Richard) the song with the hope that it might spark something in his mind and fortunately for me, he seemed to dig it. I’ve always been a massive admirer of dance of all styles so when he came to me with a pitch involving Nigel, I was hugely excited. What you see in the clip is talent.. Im sure it was hard to get right, but the guys at Spliting Films managed to get it so right. I’m just so stoked to be a part of it.”

Richard and Tim testing out the different mesh options.

Watch the full video below. Also don't forget to check out all things Set Circles and head over to his Facebook neow!

Woe, My Heart - Oh My My

If I Were The Hunter - Set Circles